If you look at the Old Lens Blur comp in my project you'll see that you're able to crank the Iris Radius way up, creating a background that's really out-of-focus but without a halo around that foreground particle. The old Lens Blur had no problem with this. I want that big particle in the upper left to be totally sharp, with everything in the distance getting progressively blurrier without any halos around that foreground element. Your sample isn't really what I'm looking for. Maybe I'm missing somthing.Īgain, thanks for looking into this I appreciate it. The old Lens Blur effect was very slow, but it did work.Īnyone know how to make this new "improved" Camera Lens Blur look like the other plugins? I've posted a zipped file with the image and depth map in a small AE CS6 project here if anyone here would care to check my settings. Foreground elements appear sharp but with a blurry halo since the entire "background" is being blurred, creating a blurred ghost of the foreground element. The "new" Camera Lens Blur is acting like the Compound Blur effect. As a test I installed the demo of Frishluft's Lenscare plugins, and after inverting the depth buffer in the plugin I got a good result. I saved the old Lens Blur effect as a preset out of a CS5 project and am, fortunately, still able to use that approach in CS6 since the "improved" version of the plugin looks pretty crummy (I skipped AE CS5.5). There's a nasty halo visible around the foreground particle in the upper left in the CS6 Camera Lens Blur version. The images are composited from 16-bit PNGs rendered out of Cinema 4D. Here's an image showing the depth map and how the three plugins render it: The old Camera Lens blur does not exhibit this behavior, nor the Frischluft Depth of Field plugin. Foreground elements that should be sharp render sharp, but with a blurry halo around them. The company took the industry by storm, offering a wide range of products that blended street savvy with glamorous style and panache.The Camera Lens Blur effect that came with AE CS 5.5 and CS 6 doesn't look nearly as good as the old Lens Blur effect that came with CS 5 it's pretty much unusable for my purposes. One of the most popular offerings was an intense matte red lipstick, which got a boost with an appearance in a photo-shoot of the fast-rising Madonna, later seen wearing a M♺♼ T-shirt. Professional makeup artists manned the counter, an industry first. While other major makeup brands at the time were predominantly skincare companies, M♺♼ chose instead to establish itself as the ultimate colour authority. Their approach was chic utility, with the makeup coming in black pots rather than compacts. As the magazine credits racked up and word-of-mouth popularity grew, the duo launched M♺♼ in March 1984 from a counter in a Toronto department store. Soon, stylists and fashion editors got in on the action. At first, they made the cosmetics in their kitchen and sold them straight from the salon to fellow makeup artists, as well as models and photographers. Makeup artist and photographer Frank Toskan and salon owner Frank Angelo became frustrated by the lack of makeup that photographed well, so they decided to create their own. Make-Up Art Cosmetics started life in Toronto, Canada.
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